Category: Religious Architecture > Church
District: Guarda > Figueira de Castelo Rodrigo > Algodres > Centro
The Chapel of Mercy (Capela da Misericórdia), also known as the Chapel of Santa Cruz, is located in Algodres, a locality belonging to the municipality of Figueira de Castelo Rodrigo. It is situated in a serene and isolated churchyard, distinguished by its natural surroundings, punctuated by granite rock outcrops. The exterior space, with areas of compacted earth and others paved with granite cobblestones, contributes to an atmosphere of tranquility, inviting a moment of pause and contemplation.
Adjacent to the chapel's western façade, there is a Calvary cross, resting on a stepped platform, which reinforces the character and symbolism of the site.
The chapel's history, according to indications, dates back to the 17th century. Over the centuries, the temple took on different denominations, and by 1758, Padre Manuel Correia's memoir already identified it as "Capela de Santa Cruz" (Chapel of Santa Cruz). At this time, it was renowned for its "image of Santo Cristo of singular decorum," attracting devotion from both the inhabitants of Algodres and visitors from other places.
More recently, between the 1950s and 1960s, its interior was enriched with the paintings admired today, their authorship attributed to the painter Luís Pinto, who is believed to have given new life and expressiveness to the sacred space.
The Chapel of Mercy is a notable example of Mannerist religious architecture. It features a simple longitudinal plan structure, consisting of a single nave, and is preceded by a welcoming porch. The construction is predominantly of exposed granite masonry and stonework, giving it a solidity and an authentic look integrated into the region's landscape.
The main façade, facing south, stands out with its quadrangular porch, supported by six Ionic-inspired columns and two Tuscan pillars. This porch invites a leisurely observation of the details of the gable façade, which includes two doors and a rectangular window with small baluster columns. On the east side, a bell tower with a perfect round arch, topped by a Latin cross, rises discreetly, marking its presence in the community.
Upon entering the chapel, visitors discover an interior that is a true testament to religious art. The walls are plastered and notable for their pictorial decoration. In molded bands ornamented with vegetal elements, eleven scenes from the Passion of Christ are sequentially and narratively distributed, executed in vivid colors.
Among the representations are moments such as "Christ meets the women of Jerusalem," "Arrest of Christ," "The Kiss of Judas," "Descent from the Cross," and "Ecce Homo," the latter with an inscription attributing the words to Pilate: "I PILATE / CONDEMN TO DEATH / JESUS / OF NAZARETH." The end wall, in turn, is dominated by a polychrome carved altarpiece, where red, blue, and gold combine. This altarpiece, with a straight plan, is ornamented with twisted columns, vine shoots, acanthus leaves, and birds, centering on a painted panel with the figures of Calvary, highlighting the profound spirituality of the place.
License: https://creativecommons.org/licenses/by-sa/4.0/deed.pt
Coordinates DD: 40.9559234,-7.0551672
Coordinates DMS: 40°57'21.3"N 07°03'18.6"W