Saint Paul Mother Church

Category: Religious Architecture > Church

District: Évora > Mora > Pavia

Location

The Mother Church of Saint Paul stands majestically in the locality of Pavia, a landmark in the municipality of Mora. Its construction took place within the perimeter of the ancient wall that once protected the fortified palace of the Counts of Redondo. This location gives it a central and historic presence in the village, making it easily identifiable by its imposing stature.

A Historical Heritage and Unique Architecture

Although its most remote origins remain undocumented, the Mother Church of Saint Paul succeeded a primitive church, of Santa Maria, which already existed as a parish church in the 14th century. The building we observe today was constructed in the early years of the 16th century, at the initiative of D. Vasco Coutinho, the first Count of Redondo. Classified as a National Monument since 1939, the church stands out for its Manueline-Mudéjar style, giving it a robust and fortified appearance, typical of Alentejo temples of the time.

The Imposing Silhouette and Its Details

Upon observing the Mother Church of Saint Paul, its castle-like perspective is noticeable. The side facades are marked by seven cylindrical turrets, topped by stylized cones and a crown of battlements that recalls Islamic-influenced architecture. The oldest door, on the south elevation, is an example of Gothic style in rough stone blocks. In contrast to this sobriety, the main facade, facing west, is a later addition, of 18th-century Baroque design, with a portal and large window featuring granite lintels and jambs resulting from interventions after the 1755 earthquake. On the cornices of the eaves, it is still possible to glimpse curious zoomorphic gargoyles, made of baked clay, a touch of the region's popular pottery.

The Interior Treasure: The Main Altarpiece

Inside the church, the most prominent artistic highlight is its main altarpiece. This large-scale work depicts the scene of the Conversion of Saint Paul and is frequently attributed to the Évora painter Francisco João. Many consider it one of his best creations. The richness of the composition and the expressiveness of the details make this altarpiece a central and fascinating element for visitors to the temple, offering a valuable perspective on 16th-century sacred art.

License: https://creativecommons.org/licenses/by-sa/4.0/deed.pt