Chapel of Mercy

Category: Religious Architecture > Church

District: Castelo Branco > Castelo Branco > Sarzedas

Location:

The Chapel of Misericórdia is harmoniously integrated into the heart of Sarzedas, a locality belonging to the municipality of Castelo Branco. Situated in a square that opens up between streets, the chapel is part of the urban fabric, surrounded by the village's houses. This central position invites a moment of pause and observation, offering a glimpse into the life and history of the community.

Roots and Evolution:

With its origins dating back to the late 16th century, specifically 1597, this chapel was founded by Catarina Garcia, widow of Manuel Gomes Curado, and their children Bartolomeu Gomes Curado and Ana Curado David. Over time, the building underwent significant transformations, with a major renovation occurring in the 17th century. Subsequently, in the 18th century, new restoration campaigns were carried out, including the addition of a side chapel in 1798, intended as a mausoleum for prominent figures of the time. This secular evolution is visible in its architecture, which reflects various eras and styles.

Architectural Features:

The chapel features an irregular plan, with a main nave and a chancel. The main facade, facing west, stands out for its gable design, where the portal and an upper window are aligned. The late-Renaissance style portal draws attention with its straight lintel and an interrupted pediment that houses a niche with the image of Our Lady. The granite stone frames of the openings give it remarkable solidity. On the side facade, a discreet door and a small casement window complement the exterior, where an alminha (wayside shrine) dedicated to Our Lady of Sorrows is also found. Above the sacristy, a double L-shaped bell tower marks the religious presence of the building.

Interior Treasures:

Upon passing through the portal, visitors are greeted by an interior that reveals the artistic richness and religious fervor of yesteryear. The nave's pavement combines granite flagging in the first half with wooden flooring in the second, evidencing distinct phases of its construction. On the Gospel side, an exotic wooden pulpit with a turned balustrade adorns the space. The ceilings, in false barrel vaults, are made of painted wood and adorned with timbering. In the chancel, the ceiling displays exquisitely painted coffers, depicting twenty-one saints from the Catholic hagiology. The main altarpiece, in opulent gilded carving of national Baroque style, is the focal point, flanked by two life-size stone statues, representing Nicodemus and Joseph of Arimathea. The side chapel, dedicated to the Lord of the Steps, features a neoclassical polychrome carved altarpiece and houses a tombstone on its floor, bearing witness to the families who contributed to its construction and maintenance.

License: https://creativecommons.org/licenses/by-sa/4.0/deed.pt