Co-Cathedral of Miranda do Douro

Category: Religious Architecture > Cathedral

District: Bragança > Miranda do Douro > Miranda do Douro

Location

In the heart of the historic city of Miranda do Douro, in the Trás-os-Montes region, stands the Co-Cathedral, a building of notable size and grandeur. Its central position highlights it in the urban landscape, allowing for a clear perception of its presence and relevance to the locality. The monument offers a privileged perspective on the city's built heritage, being a focal point in the urban fabric of Miranda do Douro.

A Remarkable History

The construction of this significant temple began in 1552, by order of D. João III, in the context of an important religious reorganization in the kingdom. Built on the foundations of an older Gothic church, the Co-Cathedral was designed by architects Gonçalo Torralva and Miguel de Arruda, and completed in the early 17th century. It served as the episcopal see until 1764, when the diocese's seat was transferred to Bragança. This move was partly motivated by Miranda do Douro's border situation, which made it susceptible to conflicts. Currently, this imposing church holds the classification of National Monument, asserting itself as the largest religious temple in Trás-os-Montes.

Mannerist Imponence

The Co-Cathedral of Miranda do Douro is a remarkable example of Mannerist architecture in Portugal. Its facade is characterized by a harmonious design, with a robust central body flanked by two towers of considerable volume, giving it a solid and majestic appearance. Upon entering, the visitor encounters an interior that develops in three naves. Its vaults, although reminiscent of the Gothic style in their structure, with clearly visible ribbed vaults, are integrated into the aesthetic of the construction period, lending the space a grand atmosphere conducive to contemplation.

Rich Interior Artistry

The interior of the Co-Cathedral houses an expressive collection of artistic elements that deserve particular attention. The main altarpiece, dedicated to Saint Mary Major, is a highlight, being an imposing sculptural work from the 17th century, attributed to the Galician master Gregório Fernández, which impresses with its size and detail. In the side chapels, there are several other altarpieces, including some in the Baroque style dating from the 18th century, which enrich the visual journey through the temple. Also noteworthy is the choir stalls, a piece of great refinement from the 17th century, and the majestic 18th-century organ, profusely decorated with gilded wood carving, which dominates part of the space. Among the most emblematic pieces is the Menino Jesus da Cartolinha (Child Jesus with a Hat), a small 18th-century image that has become an icon of popular devotion, housed in a Baroque gilded wood carving oratory, and which attracts the attention of visitors to this monument.

License: https://creativecommons.org/licenses/by-sa/4.0/deed.pt