Chapel of Our Lady of Fastio

Category: Religious Architecture > Church

District: Castelo Branco > Fundão > Enxames

Location

The Chapel of Nossa Senhora do Fastio is located in the center of the locality of Enxames, in the municipality of Fundão. Built on a wide square paved with granite cubes, the chapel stands out for its slightly elevated position, accessed by a front staircase.

The surrounding area, dotted with flowerbeds and trees, invites a moment of tranquility, set in the heart of local life.

Traces of History and Community

The Chapel of Nossa Senhora do Fastio, although it presents its current form with features from the 18th and 19th centuries, has much deeper roots. Historical records indicate that a religious temple already existed on this site since at least 1260, underlining its ancient and continuous connection to the community of Enxames.

Currently, this chapel is not just a monument of cultural interest, but also the meeting and celebration point for local faith, functioning as the parish church. Its preservation reflects the importance that the community attaches to it, keeping a secular tradition alive.

Baroque Architecture and Interior

The Chapel of Nossa Senhora do Fastio is distinguished by its architecture, which combines late-Baroque elements with vernacular features. The main facade, with white walls, is marked by the presence of granite stonework on the corners and frames. The portal, with a straight lintel, is flanked by windows with curved ends, and an oval window above adds a particular detail. On the left side, the two-story bell tower with perfect arches completes the ensemble, harmonizing with the pediment that tops the building.

Upon entering, a welcoming interior is discovered. The walls display panels of tiles in a monochromatic blue and white pattern, which extend throughout the nave. The ceilings are wooden, with a "masseira" covering in the nave and a false barrel vault in the chancel. The triumphal arch, with its keystone adorned with a heart, leads to the main altar area. It is here that the notable polychrome carved altarpiece is found, predominantly in white, blue, and gold, which, with its columns and phytomorphic elements, is a beautiful example of the late-Baroque style.